Title:
The title of the installation is an appropriation of the 1989 film Sex, Lies and Videotape. The film, similarly to the installation questions the context of viewing for spectatorship with regards to voyeurism, and how this can be implicated through the audience’s experience (permitting them to take on the role of the ‘voyeur’). Within the film Steven Soderbergh creates anexploration into the regulations of intimacy and trust when considering communication of our sexual preferences. Soderbergh also investigates the way some people regard the issues around sexual activity or masturbation and how we censor ourselves and the confidentiality of this content (otherwise being regarded as an extrovert).
Artist As Curator 